For over two decades, Don Byron, a recipient of the first Doris Duke Performing Artist Award, has been a singular voice in an astounding range of musical contexts, exploring widely divergent traditions while continually striving for what he calls "a sound above genre."
Beginnings: Born and raised in the Bronx, New York, Byron was exposed to a wide variety of music by his father, who played bass in calypso bands, and his mother, a pianist. His taste was further refined by trips to the symphony and ballet and by many hours spent listening to Dizzy Gillespie, Miles Davis and Machito recordings. He formalized his music education by studying classical clarinet with Joe Allard while playing and arranging salsa numbers for high school bands on the side. He later studied with George Russell in the Third Stream Department of the New England Conservatory of Music and, while in Boston, also performed with Latin and jazz ensembles.
Collaborations: His artistic collaborations include performances and recordings with Mario Bauza, the Duke Ellington Orchestra, John Hicks, Tom Cora, Bill Frisell, Vernon Reid, Marc Ribot, Cassandra Wilson, Hamiet Bluiett, Anthony Braxton, Geri Allen, Hal Willner, Marilyn Crispell, Reggie Workman, Craig Harris, David Murray, Leroy Jenkins, Bobby Previte, Gerry Hemingway, DD Jackson, Douglas Ewart, Brandon Ross, Ed Neumeister, Tom Pierson, Steve Coleman, Living Colour, Ralph Peterson, Uri Caine, Mandy Patinkin, Steve Lacy, the Kansas City All-Stars, the Bang On A Can All-Stars, Medeski Martin & Wood, Angelique Kidjo, Carole King, Daniel Barenboim, Salif Keita, the Atlanta Symphony, Klangforum Wien, Joe Henry, Paul Auster, Meshell Ndegeocello, Allen Toussaint, and many others.
Projects: An integral member of New York's cultural community for almost two decades, Byron has taken part in an extraordinarily wide range of projects. From 1996-99, he served as Artistic Director of Jazz at the Brooklyn Academy of Music where he curated a concert series for the Next Wave Festival and premiered his children’s show, Bug Music for Juniors (formerly Tunes and ‘Toons). From 2000-05, he was Artist-in-Residence at New York’s Symphony Space, where he established is Adventurers Orchestra through another concert series titled Contrasting Brilliance, featuring his takes on music as diverse as Henry Mancini, Sly Stone, the pioneering hip-hop label Sugar Hill Records, Igor Stravinsky, Raymond Scott, Herb Alpert and Earth, Wind and Fire.
Compositions: Byron has written arrangements of Stephen Sondheim's Broadway musicals and original scores for the silent film Scar of Shame and a 1961 television episode by comedy pioneer Ernie Kovacs. He wrote and performed music for the dance companies of Donald Byrd, Bebe Miller, Mark Dendy, and Ellen Sinopoli, and was featured in Robert Altman's movie Kansas City and the Paul Auster film Lulu on the Bridge. He has composed the soundtracks for several documentary films, including director Joel Katz's acclaimed "Strange Fruit" about the history of the anti-lynching song made famous by Billie Holiday, and for "Red-Tailed Angels," a film about the Tuskegee Airmen. His most recent soundtracks are "White," a study of race and child adoption, and "Joe Papp in Five Acts," a tribute to New York's iconic theater impresario.
Recordings: Don Byron has released a diverse array of recordings with distinctively different groups. Since his ground-breaking debut album, Tuskegee Experiments (Nonesuch, 1992), he has recorded prolifically: Don Byron Plays the Music of Mickey Katz (Nonesuch, 1993), a tribute to the sly and bitingly humorous works of the neglected 1950's klezmer band leader; Music for Six Musicians (Nonesuch, 1995) which explores a significant side of his musical identity, the Afro-Caribbean heritage of his family and the neighborhood where he grew up; No-Vibe Zone (Knitting Factory Works, 1996), a vibrant live recording featuring his quintet; and Bug Music (Nonesuch,1996), his spirited showcase of the nascent Swing Era music of Raymond Scott, John Kirby and the young Duke Ellington.
His 1998 Blue Note debut, Nu Blaxploitation, is a funk and hip-hop inspired and “genre-bending” musical meditation with his band Existential Dred, with poet Sadiq and rap icon Biz Markie in performances reminiscent of the spoken-word pieces of Gil Scott-Heron, Amiri Baraka and Henry Rollins; Romance With The Unseen (1999), features a quartet consisting of guitarist Bill Frisell, bassist Drew Gress and drummer Jack DeJohnette playing a wide-ranging repertory, from obscure Ellington (“A Mural from Two Perspectives”) to popular Beatles (“I’ll Follow the Sun”) to Byron originals loaded with socio-political commentary (“Bernhard Goetz, James Ramseur and Me”, a reference to the notorious 1984 New York City subway shooting).
With 2000’s A Fine Line: Arias & Lieder, Byron continued to blur stylistic borders by exploring and expanding the definition of the modern art song from Robert Schumann and Giacomo Puccini to Roy Orbison and Stevie Wonder. His 2001 release, You Are #6, once again finds him in the company of his longest-standing group, Music for Six Musicians, paying tribute to the Latin and Afro-Caribbean rhythms at his musical roots.
Teaching: Don Byron is also a gifted teacher, who has led residencies at the University of California San Diego, the University of Nevada Reno, Harvard University, the Massachusetts Institute of Technology (MIT), and Columbia University. From 2005-2009, he was a Visiting Associate Professor at The State University of New York (Albany) where he taught theory, saxophone, improvisation, and composition. In 2007/08, he also taught at MIT as a Martin Luther King Visiting Professor.
The background image is excerpted from this painting by Jacob Lawrence. (b. 1917 d. 2000) which graces the cover of Don Byron’s third album, Music for Six Musicians. Click the thumbnail to see the entire painting. For an article about Jacob Lawrence, visit this site: http://www.wsws.org/articles/2000/jun2000/lawr-j16.shtml